Notion "collections" and "spectral type" in creative activity S.Kusevickij

The purpose of the article given studies is a separation of specifics intersection to activitywork of S.Kusevickij, beside which creative method his compositor style, noted by relationsymbolism eclectics, has determined projections on collection his performance, manager,organizing-propagandistic, etc. activity, differentiation integer which is indicated by term «spectraltype», in development of the ideas universality of creative personality XX century, declared "systemLeonardo da Vinci" P.Valéry. Methodology of the work is intonation approach of the schoolB.Asafiev in Ukraine with inherent him linguistics- culturology aspect of the interpretationmusicology method, with handhold on analyst-structured principle and handhold on comparativestylistic features, hermeneutics-interpretation foreshortening of the music semiotics " intonationdictionary of the epoch" on Asafiev and further developments in work A.Sokol, E. Markova andothers. Scientific novelty of the work is determined by originality of the taxonomic approach tofeature of the total creative look S.Kusevickij, beside which symbolism artistic principle, used instyle elements his contrabass Concerto, has determined structured analogies to «eclectic»installation joinings to activity work, inadmissible in epoch of the romanticism, but nature of suchjoining by noted term «spectral type». Conclusions. Creative-confirming line of Kusevickij-actor,contrabassist and conductor, subordinated presentations in performance work alternativesclassicists and modernist style that is combined in most corporeality of the bass viol, forms line of«counterpoint» to his mercantile-organizing work, which has taken the forms («spectrum» devicetheatrical enterprises, contest, publishing, fund and the other structures, called to create vital security and author, and in accordance with a partner on base commercial priority. Spectral type inmanifestations of universality by S. Kusevickij have defined the person of the sort «parcel eclectic»of facilities of the expression in compositions of the Concerto for contrabass by facility of theinadequate refraction in instrumental corporeality "in morsels" presented of the style models inthemes and composition decision; said allows to confirm combinatorial typicalness of Concerto asprojections spectral universality of the thinking determinations of the actor-manager.Key words: spectral universalism of activity, symbolism, stylistic eclecticism, instrumentalmateriality of double bass, style in music.